Viktoriahof, 2023
[o._re'je], 2023, wire mesh,pillow, 54 x 42 x 28 cm
[mat.la], 2022, wire mesh, mattress, 75 x 130 x 90 cm
Installation view : baseline, TIB, Berlin 2022, including the artists Anton Bo Matzke, Solveig Schmid, Marja Marlene Lechner, Jakob Rava, Klara Bergsteiger and Joram Schön.
© photos : Bernhard Ludewig and Jakob Rava
graphic design of the poster : Eilis Searson
[__}{'. 2023, wire mesh, 138 x 34 cm
'{_…..] 2022, wire mesh, 186 x 43 cm
]...[ 2022, wire mesh, 204 x 72 cm
Installation view : Vague, Hilbertraum, Berlin, 2022 with Marküs Jäntti-Tuominen, Kallirroi Ioannidou and Caroline Bernhofer.
© photos : Bernhard Ludewig
Le robinet, 2022, found faucet, water pipes extensions, dimension variable, depending on the ceiling hight
WITH LOVE (from_to), 2022, wire mesh, recollection of objects, frame, photo prints, plaster, on going rust, 137 x 48 x 48 cm
Rouge rouille, 2022, printed pvc, objects, 170 x 250 cm
Installtion view : More than Liquid, Teile2o46, Berlin, 2022, with Marta Djourina, Leon Fender, Jane Garbert, Marlene Hundt, Kallirroi Ioannidou, Andrea Martens, Ole Meergans, Marie Rief and Solvieg Schmid. Organised by Solveig Schmid and Jane Garbert.
Installation view : Bisous XX, Raum für Sichtbarkeit, Berlin, 2022, with Solveig Schmid, Kallirroi Ioannidou and Lexia Hachtmann. Curated by Julia Meyer-Brehm.
sans titre (le chemin de la rouille),2021, found objects, on going rust process, 150 x 7 x 8 cm
sans titre (structures), 2022, found object, wire mesh, cut out maps, paper, 45 x 26,5 cm
Bisous xx, 2022,found object , 21,5 x 17 cm
De l'un à l'autre (going through), 2021, found objects, video silent, loop, cut out Google Earth maps extracts on paper, aluminium plates, 200 x 200 x variable (H) cm
In Between, 2021, found objects from Berlin, Bruchköbel, Paris and Marseille, a silent moving picture and cut out maps from Berlin
Attrape-rêve, 2021, two videos, silent, endless loops, a UHD TV, a smartphone, a matress, a lampe and a printed image
Buying a dream catcher is good but knowing where to place it is better, usually in the bedroom to catch dreams of course, but especially in a lighted place so that the daylight destroys the bad dreams, often the best will be to hang it on the window of his room.
When buying your dream catcher, give priority to quality if it is to protect you from evil spirits.
En attendant Daegu, 2020, installation involving a serie of 7 videos, 4K, silent, endless loops, a printed PVC floor 430 x 300 cm and multiple day-to-day objects
Installtion view : En attendant Daegu, Retramp, Berlin, 2020
© photos : Michael Vick
En recherche, 2019, Single-channel HD video, 12:12min, silent, loop
Installation view : Degree UdK, Berlin, 2019
Hugo, 2019, Single-channel 4K video, 10:37min, silent, endless loop
A relationship with a dog named Hugo.
Installation view: Rundgang UdK, Berlin, 2019
À l'atelier, 2018, 2-channel HD video, 12:17min, silent, loop
The studio, a space of work, of life, of dream, of construction, of creation, of introspection, a space to meet, a personnel and shared space, a space of emptiness, of chaos, of accumulation, a material space, an inner space, a space for research and of leting go, a space open and closed.
À l'atelier happens close to the artist's day to day life in Berlin with video recordings of his journeys back and forth in public transports, day and night from his home to his studio and video recordings of moments of reading and dreaming in his studio. Through collage, the walls of the studio free themselves from their condition of structuring to become outside, movement, journey, and to put themselves in relation with the introspection of an inside.
À l'atelier becomes a "tableau vivant" where the movement of an outside is put in relation with the dreaming of an inside.
Installation view : Moving space, Art Space Claudia Delank, Berlin, 2019, with Yuge Zhou
Silhouettes, 2019, paper collage on aluminium, 22 x 29,3 cm
Ne me tourne pas le dos, 2018, paper collage on aluminium, 200 x 100cm
Constellation, 2018, paper collage on aluminium, 200 x 300cm
Human stupidity is international, 2018, paper collage, framed, 44,8 x 38,3 cm
People, 2015, Single channel Video, HD, silent, color, loop, 4:48min